SXSW
The Chairs talk dreamy songwriting, story behind album ‘Shangri-La Is Calling’
Angela Lim, Life&Arts Editor
• March 17, 2023
Musicians get together at SXSW to discuss ushering diversity, inclusion in music industry
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
Musicians’ union puts on showcase demanding fair pay for musicians at SXSW
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
‘Bloody Hell’ empowers with unique coming-of-age story
Sage Dunlap, Associate Life&Arts Editor
• March 16, 2023
Johns Hopkins researchers examine how artificial intelligence can help prepare for climate change effects at SXSW
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
Micah Edwards talks writing debut album Jean Leon, eternal relationship with music
Angela Lim, Life&Arts Editor
• March 16, 2023
‘We just like making bangers’: Circa Waves talks new album, touring, vulnerability
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
Bloody, outrageously funny ‘Bottoms’ packs punch
Sage Dunlap, Associate Life&Arts Editor
• March 16, 2023
Rachel Sennott anchors empowering dramedy ‘I Used to Be Funny’
Sage Dunlap, Associate Life&Arts Editor
• March 15, 2023
Peacock sci-fi series ‘Mrs. Davis’ premieres at SXSW
Sage Dunlap, Associate Life&Arts Editor
• March 15, 2023
Peach Luffe talks inspirations, creative process for debut album Everything is Peachy
Angela Lim, Life&Arts Editor
• March 14, 2023
Sci-fi anthology ‘Shatter Belt’ premieres at SXSW
Sage Dunlap, Associate Life&Arts Editor
• March 14, 2023
LISTEN IN
October 4, 2022