Austin Festivals
UT student Emilio Mejia makes acting debut at SXSW in ‘Hail Mary’
Trisha Dasgupta, Senior Life & Arts Reporter
• March 18, 2023
SXSW Liveshot: Sudan Archives delivers energetic performance at ACL Live
Sage Dunlap, Associate Life&Arts Editor
• March 18, 2023
SXSW Live Shot: Annabelle Chairlegs performs energy-filled set at Hotel Vegas
Prisha Mehta, General Life & Arts Reporter
• March 18, 2023
‘Evil Dead Rise,’ bloody fun that respects franchise roots
Ryan Ranc, Senior Life & Arts Reporter
• March 17, 2023
The Chairs talk dreamy songwriting, story behind album ‘Shangri-La Is Calling’
Angela Lim, Life&Arts Editor
• March 17, 2023
Musicians get together at SXSW to discuss ushering diversity, inclusion in music industry
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
Musicians’ union puts on showcase demanding fair pay for musicians at SXSW
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
‘Bloody Hell’ empowers with unique coming-of-age story
Sage Dunlap, Associate Life&Arts Editor
• March 16, 2023
Johns Hopkins researchers examine how artificial intelligence can help prepare for climate change effects at SXSW
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
Micah Edwards talks writing debut album Jean Leon, eternal relationship with music
Angela Lim, Life&Arts Editor
• March 16, 2023
‘We just like making bangers’: Circa Waves talks new album, touring, vulnerability
Trisha Dasgupta, Senior Life&Arts Reporter
• March 16, 2023
Bloody, outrageously funny ‘Bottoms’ packs punch
Sage Dunlap, Associate Life&Arts Editor
• March 16, 2023
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