Movies and TV
Q&A: ‘The Bikeriders’ AFF red carpet with writer-director Jeff Nichols
Mimi Calzada and Ryan Ranc
• November 30, 2023
Eli Roth’s ‘Thanksgiving’ is a holiday feast for gorehounds
Ryan Ranc, Senior Life&Arts Reporter
• November 30, 2023
New Ottessa Moshfegh film adaptation, ‘Eileen,’ serves Hitchockian thriller, beautiful cinematography
Trisha Dasgupta, Associate Life&Arts Editor
• November 29, 2023
International films to watch this winter
Minza Mirza, Senior Life&Arts Reporter
• November 29, 2023
Disney’s ‘Wish’ feels uninspired, rushed
Kaeli Kampschmidt, General Life&Arts Reporter
• November 27, 2023
Emerald Fennell talks mirrors, chemistry in ‘Saltburn’
Mimi Calzada, Life&Arts Editor
• November 27, 2023
‘Napoleon’ brings back sprawling historical epics in glorious fashion
Atahan Koksoy, General Life&Arts Reporter
• November 17, 2023
‘The Ballad of Songbirds and Snakes’ illustrates Snow’s journey to head gamemaker
Isabella Capuchino, General Life&Arts Reporter
• November 17, 2023
UT alumna Lady Bird Johnson’s voice lives on through diary recordings in new Hulu documentary
Flora Farr, General Life&Arts Reporter
• November 16, 2023
Q&A: ‘Grapefruit,’ independent filmmaking with Chase Joliet, Steph Barkley
Ryan Ranc, Senior Life&Arts Reporter
• November 16, 2023
‘The Holdovers’ comes as a handsomely-told dramedy with a trio of top-notch performances
Matthew Collier, General Life&Arts Reporter
• November 13, 2023
Sofia Coppola’s “Priscilla” tells harrowing story with tender elegance, stunning visuals
Minza Mirza, Senior Life&Arts Reporter
• November 12, 2023