Movies and TV

Daniel Craig’s Benoit Blanc returns in Rian Johnson’s ‘Knives Out’ sequel ‘Glass Onion’
Ryan Ranc, Senior Life&Arts Film Columnist
• December 29, 2022

Film festivals in Austin feature Jewish filmmakers, movies
Jackson Milch, General Life & Arts Reporter
• December 22, 2022

‘Women Talking’ achieves striking social commentary with modern-day relevance
Mimi Calzada and Shezan Samanani
• December 22, 2022

Darren Aronofsky’s ‘The Whale’ tears audiences’ hearts in two, provides enriching story experience
Ryan Ranc, Senior Life&Arts Film Columnist
• December 9, 2022

Q&A: Darren Aronofsky, Samuel D. Hunter discuss meaning, complexities of A24’s ‘The Whale’
Ryan Ranc, Senior Life&Arts Film Columnist
• December 9, 2022

Violent Night’ wishes audiences a very bloody Christmas, happy bruised year
Ryan Ranc, Senior Life&Arts Film Columnist
• December 8, 2022

UT alum Anna Saathoff talks ‘Strange World,’ the film industry
Ryan Ranc, Senior Life&Arts Film Columnist
• December 8, 2022

UT MFA alum reflects on success of documentary film ‘Testimony of Ana,’ future goals
Catherine Cahn , General Life & Arts Reporter
• December 1, 2022

Steven Spielberg’s ‘The Fabelmans’ is a love letter to cinema
Ryan Ranc, Senior Film Columnist
• December 1, 2022

Disney’s ‘Strange World’ feels strangely ordinary
Ryan Ranc, Senior Film Columnist
• December 1, 2022

Nikyatu Jusu crafts beautiful, haunting film with “Nanny”
Ryan Ranc, Senior Film Columnist
• November 30, 2022

Q&A: Nikyatu Jusu speaks on cinematography, themes of debut feature: ‘Nanny’
Ryan Ranc, Senior Film Columnist
• November 30, 2022