Austin Festivals
Letter from the Editor: ACL is Austin
Logan Dubel, Life&Arts Desk Editor
• October 3, 2023
Director Luc Besson’s ‘Dogman’ explores how a broken person finds refuge in dogs
Ryan Ranc, Senior Film Columnist
• September 27, 2023
Fantastic Fest secret screening: ‘Dream Scenario’
Mimi Calzada, Life&Arts Editor
• September 25, 2023
‘Pet Sematary: Bloodlines’ bites off more than it can chew
Mimi Calzada, Life&Arts Editor
• September 24, 2023
Emerald Fennell’s ‘Saltburn’ is obsessive, addicting, joyfully sickening
Mimi Calzada, Life&Arts Editor
• September 23, 2023
‘V/H/S/85’ showcases 5 thrilling found footage horror stories, bringing together some of the best creators in the horror space
Ryan Ranc, Senior Life&Arts Reporter
• September 23, 2023
Director Macon Blair’s ‘The Toxic Avenger’ remake pays tribute to iconic Toxie, while still modern, unique
Ryan Ranc, Senior Life&Arts Reporter
• September 22, 2023
Flenser showcase exceeds expectations at Oblivion Access Festival
Michael Lewinbuk, General Life&Arts Reporter
• June 25, 2023
Moontower Just for Laughs Comedy Festival mixes legends with rising stars
Logan Dubel, Senior Life&Arts Reporter
• April 17, 2023
Life&Arts live coverage team reflects on best moments at SXSW
Angela Lim, Sage Dunlap, Mimi Calzada, Trisha Dasgupta, and Ryan Ranc
• March 20, 2023
Q&A: Zachary Levi discusses the return to Shazam! in new sequel ‘Fury of the Gods’
Ryan Ranc, Senior Film Columnist
• March 20, 2023
Photo Gallery: SXSW 2023
Julius Shieh, Alex Luevano, Joy Li, and Lorianne Willett
• March 20, 2023
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