Movies and TV
‘Missing’ crafts an outrageous story full of red herrings
Sage Dunlap, Associate Life&Arts Editor
• January 17, 2023
Leaning into tackiness, ‘Emily in Paris’ season three is campier, more fun than ever
Trisha Dasgupta, Senior Life&Arts Reporter
• January 16, 2023
Movies to watch this Friday the 13th
Sage Dunlap and Ryan Ranc
• January 11, 2023
[SPOILER-FREE] M3GAN: Look out Chucky, there’s a new doll in town
Ryan Ranc, Senior Life&Arts Film Columnist
• January 10, 2023
Daniel Craig’s Benoit Blanc returns in Rian Johnson’s ‘Knives Out’ sequel ‘Glass Onion’
Ryan Ranc, Senior Life&Arts Film Columnist
• December 29, 2022
Film festivals in Austin feature Jewish filmmakers, movies
Jackson Milch, General Life & Arts Reporter
• December 22, 2022
‘Women Talking’ achieves striking social commentary with modern-day relevance
Mimi Calzada and Shezan Samanani
• December 22, 2022
Darren Aronofsky’s ‘The Whale’ tears audiences’ hearts in two, provides enriching story experience
Ryan Ranc, Senior Life&Arts Film Columnist
• December 9, 2022
Q&A: Darren Aronofsky, Samuel D. Hunter discuss meaning, complexities of A24’s ‘The Whale’
Ryan Ranc, Senior Life&Arts Film Columnist
• December 9, 2022
Violent Night’ wishes audiences a very bloody Christmas, happy bruised year
Ryan Ranc, Senior Life&Arts Film Columnist
• December 7, 2022
UT alum Anna Saathoff talks ‘Strange World,’ the film industry
Ryan Ranc, Senior Life&Arts Film Columnist
• December 7, 2022
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October 4, 2022