Movies and TV
UT MFA alum reflects on success of documentary film ‘Testimony of Ana,’ future goals
Catherine Cahn, General Life & Arts Reporter
• November 30, 2022
Steven Spielberg’s ‘The Fabelmans’ is a love letter to cinema
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Disney’s ‘Strange World’ feels strangely ordinary
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Nikyatu Jusu crafts beautiful, haunting film with “Nanny”
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Q&A: Nikyatu Jusu speaks on cinematography, themes of debut feature: ‘Nanny’
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Jenna Ortega terrifies, thrills in Netflix’s ‘Wednesday’
Mimi Calzada, Senior Life & Arts Reporter
• November 30, 2022
Elegance Bratton masterfully shares his story in A24’s ‘The Inspection’
November 29, 2022
“Bones and All” bites with chilling, thought-provoking love story
Sage Dunlap, Life and Arts Associate Editor
• November 18, 2022
The Banshees of Inisherin perfectly delivers dark comedy with charming cast
Mimi Calzada, Senior Life & Arts Reporter
• November 18, 2022
‘Hellraiser’ brings triumphant return with first female Pinhead
Ryan Ranc, Life & Arts Film Columnist
• November 18, 2022
Historical film screens at PCL, director/producer answers questions
Sara Zaidi, Life & Arts general reporter
• November 16, 2022
UT alum stars in “The Inspection,” “King Richard,” motivated by authentic representation, thrill of acting
Aaron Boehmer, Senior Life and Arts Reporter
• November 15, 2022
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October 4, 2022