With their previous works, “Superbad” and “Pineapple Express,” Seth Rogen and writing partner Evan Goldberg perfected the formula of the bromantic comedy. The pair’s directorial...
In 1978, director Richard Donner, along with Christopher Reeve, convinced their innocent and believing audience that a man could fly. After seeing “Man of Steel,” I can tell you this: Zach...
Documentaries often focus on social issues in dire need of change or stunning depictions of nature, but it takes true fortitude for a filmmaker to make a documentary about themself. Sarah Polley's...
Many great horror films deftly sneak a message about the human condition in amongst the blood and guts, like intellectual vegetables to compliment the red meat of jump scares and arterial spray. Unfortunately,...
The law of diminishing returns is the bane of Hollywood executives’ existence and often pushes them to stuff sequels to the point of bursting simply because audiences expect the spectacle to get...
Writer-actress Brit Marling first came to South By Southwest two years ago with low-key sci-fi films “Another Earth” and “Sound of My Voice.” “The East,” her newest...
The fact that “Mud” came together as well as it did is something of a miracle. Director Jeff Nichols put the project into high gear just as his choice for the titular role, Matthew McConaughey,...
To a degree, cinema has become standardized to a set of audience expectations, with many movies defined as superficial variations on something you’ve seen before, which means that films with the...
I was both the perfect candidate to watch and not to watch “Friday Night Lights.”
The show, which premiered in 2006 and ended in 2011, centers around life in the fictional town of Dillon,...
It’s half past four on a smoky Saturday afternoon. You could get off your couch, but why muster all that energy when you’ve got Cheetos, enough cash to tip the pizza guy and a Netflix account?...
Joseph Kosinski’s debut feature, “Tron: Legacy,” was a visual marvel with a script that failed to connect on any sort of logical or emotional level, rendering the film an empty exercise...
“Trance,” the new film from “127 Hours” director Danny Boyle, exudes pure, unflappable confidence in every single frame. The neo-noir bristles with the purpose of a practiced storyteller...
