Zombies are perhaps the best of the great monsters of horror cinema. There is just something about a shambling mass of brain-starved monsters that lends itself to great entertainment value in all form...
“Seven Psychopaths” is exactly what you would expect out of a film with this kind of title. Martin McDonagh directs and writes this bold new black comedy with sharp dialogue and gritty violence....
Every time FX debuts a new series, it is worth taking notice. It’s rare for one of these series to be anything but male-driven and action-packed, but “The Americans” is a departure for...
It’s no secret that the voting members of the Academy of Motion Picture Arts and Sciences skew toward the elderly, which makes it something of a surprise that they nominated “Amour,”...
The third episode of the third season of cult obsession “Downton Abbey” premieres Sunday. To hear others speak of “Downton” is to be subjected to repeated “amazings!”...
Joshua Tate and his collaborators are about to have a big few months, or at least they hope. Next month, Tate, who graduated from UT in 2008 with degrees in psychology and in radio, television and film,...
When a horror film comes out in January, its quality is often a lot scarier than its content. With moviegoers distracted by the flood of Oscar nominees, January releases often come and go with little said...
Twenty-six-year-old Lena Dunham is not the slacker/wannabe writer she plays in the hit HBO series “Girls” that she stars in, created and currently directs. Although the current darling of the...
For many leading roles, especially those written for females, likability is key, and their ability to charm is pivotal to their film’s opening weekend. For Jessica Chastain, who plays determined...
Few shows last year drew more insipid criticisms than Lena Dunham’s “Girls,” which burst out of the gate with a roaringly funny pilot and charges varying from nepotism to racism. No matter...
The first film I saw in 2012 was Joe Carnahan’s riveting “The Grey,” and the last was Gareth Evans’ action masterpiece “The Raid: Redemption.” In between, an extremely...
Surrealism is usually a cinematic touch that rubs me the wrong way; something about the level of self-indulgence and intentional audience disconnect is simply grating. But Leos Carax’s “Holy...
