All content by Charles Liu
‘Fifty Shades Freed’ won’t pleasure anyone with flaccid storytelling
Charles Liu
• February 9, 2018
The Daily Texan’s most anticipated movies of 2018
Charles Liu
• January 23, 2018
Daily Texan critics select top 8 films of 2017
Justin Jones and Charles Liu
• January 16, 2018
‘The Shape of Water’ is fantasy romance at its best
Charles Liu
• December 11, 2017
The streaming wars continue: a battle of content and services
Charles Liu
• December 8, 2017
‘Mudbound’ mirrors modern America with depiction of 1940s racism
Charles Liu
• December 1, 2017
‘Justice League’ is a mixed bag of superhero fun
Charles Liu
• November 17, 2017
Agatha Christie adaptation has trouble staying on track
Charles Liu
• November 13, 2017
‘Stranger Things’ channels classic Stephen King, expands universe
Charles Liu
• October 31, 2017
‘Only the Brave’ celebrates old-fashioned heroism
Charles Liu
• October 19, 2017
‘Happy Death Day’ is a charming, uneven ‘Groundhog Day’
Charles Liu
• October 13, 2017
Five alternatives to Austin City Limits music festival
Charles Liu
• October 5, 2017
“American Made” acts as vehicle for star Tom Cruise
Charles Liu
• September 29, 2017
Dobie pastry chef to star on Food Network’s Halloween Baking Championship
Charles Liu
• September 21, 2017
Dobie pastry chef to star on Food Network show
Charles Liu
• September 21, 2017
The Daily Texan’s guide to the most highly anticipated fall movies
Charles Liu
• September 11, 2017
“It” meets expectations
Charles Liu
• September 7, 2017
Get in the back-to-school vibe with these movies
Charles Liu
• September 1, 2017
‘Atomic Blonde’ is shallow, but easy on the eyes
Charles Liu
• July 27, 2017
“Spider-Man: Homecoming” brings Marvel down to earth
Charles Liu
• July 13, 2017
“Despicable Me 3:” harmless, unremarkable family fun
Charles Liu
• July 3, 2017
“Despicable Me 3:” harmless, unremarkable family fun
Charles Liu
• July 1, 2017
After rocky start, “Cars 3” comes in for a decent finish
Charles Liu
• June 21, 2017
“It Comes at Night” terrorizes with tense human drama
Charles Liu
• June 7, 2017
“Sand Castle” screenwriter bases film on military experiences
Charles Liu
• April 19, 2017
“The Fate of the Furious” toes line between awesome and silly
Charles Liu
• April 17, 2017
UT lecturer takes flight with Civil Air Patrol
Charles Liu
• April 7, 2017
SXSW: Alien horror film “Life” isn’t out of this world
Charles Liu
• March 19, 2017
Live Blog: SXSW 2017 | Saturday, March 18
Charles Liu, Chris Duncan, Daisy Wang, Mae Hamilton, and Morgan O'Hanlon
• March 18, 2017
SXSW: “Give Me Future” gives young Cubans a voice
Chris Duncan and Charles Liu
• March 18, 2017
SXSW: “A Bad Idea Gone Wrong” proves enjoyable though flawed
Charles Liu
• March 18, 2017
SXSW: “The Honor Farm” is wimpy, wannabe horror
Charles Liu
• March 17, 2017
SXSW: “Easy Living” delights with great performances, writing
Charles Liu
• March 17, 2017
Live Blog: SXSW 2017 | Friday, March 17
Charles Liu, Chris Duncan, Daisy Wang, Morgan O'Hanlon, and Mae Hamilton
• March 17, 2017
Live Blog: SXSW 2017 | Tuesday, March 14
Freya Preimesberger, Charles Liu, Chris Duncan, Daisy Wang, Morgan O'Hanlon, and Mae Hamilton
• March 14, 2017
SXSW: “Game of Thrones” stars moderate panel with showrunners
Charles Liu
• March 13, 2017
SXSW: “Baby Driver” thrills to the beat
Charles Liu
• March 12, 2017
Live Blog: SXSW 2017 | Sunday, March 12
Charles Liu, Chris Duncan, Daisy Wang, Morgan O'Hanlon, and Mae Hamilton
• March 12, 2017
SXSW: “Song to Song” fails to impress
Charles Liu
• March 11, 2017
Live Blog: SXSW 2017 | Saturday, March 11
Freya Preimesberger, Charles Liu, Chris Duncan, Daisy Wang, Morgan O'Hanlon, and Mae Hamilton
• March 11, 2017
A guide to the SXSW 2017 film categories
Charles Liu
• March 10, 2017
SXSW: Four directors to watch out for
Charles Liu
• March 10, 2017
“Kong: Skull Island” doesn’t monkey around
Charles Liu
• March 9, 2017
‘Table 19’ movie not worth a reservation
Charles Liu
• March 1, 2017
‘Get Out’ explores horror genre and racial tensions
Charles Liu
• February 23, 2017
“A Cure for Wellness” needs a taste of its own medicine
Charles Liu
• February 15, 2017
Valentine’s Day 2017
Chris Duncan, Charles Liu, and Stephen Acevedo
• February 14, 2017
“Fifty Shades Darker” will make you moan — out of boredom
Charles Liu
• February 14, 2017
“The Lego Batman Movie:” the best DC film in years
Charles Liu
• February 8, 2017
‘The Space Between Us’ should be banished to Mars
Charles Liu
• February 3, 2017
“A Dog’s Purpose” offsets dull story with cuteness
Charles Liu
• January 26, 2017
‘Split’ revels in schlocky B-movie fun
Charles Liu
• January 19, 2017
Top movie picks of 2016
Penn Harrison, Justin Jones, and Charles Liu
• January 17, 2017
Fantastic Fest: Charming bromance elevates “The Young Offenders”
Charles Liu
• October 3, 2016
Fantastic Fest: Slow burning ‘A Dark Song’ is impressive horror debut
Charles Liu
• September 28, 2016
Fantastic Fest: Pretty and poignant “American Honey” misses out on greatness
Charles Liu
• September 25, 2016
Fantastic Fest: “The Handmaiden” dramatizes women reclaiming their sexuality
Charles Liu
• September 23, 2016
Fantastic Fest: “Zoology” inspires disgust, ends poorly
Charles Liu
• September 23, 2016
Q&A: “Blair Witch” writer and director share method behind the horror
Charles Liu
• September 16, 2016
“Blair Witch” scares can’t distract from repetition
Charles Liu
• September 15, 2016
2016 Sundance Short Film Tour delivers mixed bag
Charles Liu
• September 13, 2016
“Sully” achieves shaky but stable flight
Charles Liu
• September 9, 2016
Throwback Thursday: Three Clint Eastwood-directed movies to watch
Charles Liu
• September 8, 2016
“The Light Between Oceans” overcomes slow pace with strong performances
Charles Liu
• September 2, 2016
Movies motivate students for fall semester
Charles Liu
• August 31, 2016
Summer movie season features few bright spots
Charles Liu
• August 25, 2016
“The Blackcoat’s Daughter” underwhelms with plodding story
Charles Liu
• August 25, 2016
“Don’t Breathe” thrills with inventive premise
Charles Liu
• August 24, 2016
Five movies to look forward to this semester
Charles Liu
• August 22, 2016
‘Hell or High Water’ thrills audience, poses deep questions
Charles Liu
• August 11, 2016
‘Pete’s Dragon’ takes flight with magic and wonder
Charles Liu
• August 11, 2016
‘Suicide Squad’ fails to save DC franchise
Charles Liu
• August 5, 2016
“Bourne” again: Damon’s return underwhelms
Charles Liu
• July 28, 2016
New ‘Star Trek’ goes beyond its predecessors
Charles Liu
• July 22, 2016
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October 4, 2022