Ryan Ranc, Life & Arts Reporter
All content by Ryan Ranc
Steven Spielberg’s ‘The Fabelmans’ is a love letter to cinema
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Disney’s ‘Strange World’ feels strangely ordinary
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Nikyatu Jusu crafts beautiful, haunting film with “Nanny”
Ryan Ranc, Senior Film Columnist
• November 30, 2022
Q&A: Nikyatu Jusu speaks on cinematography, themes of debut feature: ‘Nanny’
Ryan Ranc, Senior Film Columnist
• November 30, 2022
‘Hellraiser’ brings triumphant return with first female Pinhead
Ryan Ranc, Life & Arts Film Columnist
• November 18, 2022
Red Carpet Highlights from Austin Film Festival
Shezan Samanani, Anita Shiva, Ryan Ranc, and Mimi Calzada
• November 14, 2022
What Makes Austin Film Festival Special
Shezan Samanani, Anita Shiva, Ryan Ranc, and Mimi Calzada
• November 8, 2022
Austin Film Festival returns to Austin for 29th run
Ryan Ranc, Aaron Boehmer, Sage Dunlap, and Mimi Calzada
• November 7, 2022
Behind the Scenes of House of Torment
Christina Dove, Ryan Ranc, and Cameron Coburn
• October 30, 2022
Unscripted Ep 08: The “Halloween” Franchise
Ryan Ranc, Sage Dunlap, Molly-Jo Tilton, and Sylvia Asuncion-Crabb
• October 17, 2022
Unscripted Ep 07: Blonde
Reya Mosby, Aaron Boehmer, Ethan Greeno, Molly-Jo Tilton, Sylvia Asuncion-Crabb, Ryan Ranc, and Sage Dunlap
• October 17, 2022
‘Terrifier 2’: Excellent, excessive gorefest for all horror fans
Ryan Ranc, Senior film columnist
• October 3, 2022
Netflix’s “Blonde” lacks direction, empathy
Ryan Ranc, Life&Arts Senior Film Columnist
• September 27, 2022
Mia Goth shines bright in Ti West’s ‘X’ prequel: ‘Pearl’
Ryan Ranc, Senior Life & Arts Film Columnist
• September 15, 2022
Unscripted Ep 04: Enemy
Ryan Ranc, Sage Dunlap, Sylvia Asuncion-Crabb, and Ethan Greeno
• September 12, 2022
Unscripted Ep 03: Bodies, Bodies, Bodies
Ryan Ranc, Sage Dunlap
• September 12, 2022
Unscripted Ep 02: Suspiria (1977)
Ryan Ranc, Sage Dunlap, and Sylvia Asuncion-Crabb
• September 12, 2022
Unscripted Ep 01: “Nope” Review
Ryan Ranc, Sage Dunlap, Rachael Hatchett, and Sylvia Asuncion-Crabb
• September 12, 2022
Unscripted Ep 00: The Media That Made Us
Sage Dunlap, Ryan Ranc, and Sylvia Asuncion-Crabb
• September 12, 2022
B.J. Novak Talks “Vengeance” with The Daily Texan
Ryan Ranc, Senior Film Columnist
• September 12, 2022
Brea Grant Interview Video
Ryan Ranc, Senior Film Columnist
• September 12, 2022
Interview with Stephanie Martinez-Arndt from Pixar’s ‘Lightyear’
Ryan Ranc, Senior Film Columnist
• September 12, 2022
Q&A with ‘Desperate Riders’ actor Drew Waters
Ryan Ranc, Senior Film Columnist
• September 12, 2022
Director Rebekah McKendry spills secrets and experience with Shudder-exclusive “Glorious”
Ryan Ranc, Life and Arts General Reporter
• August 31, 2022
‘Beast’: Unnecessary Yet Fun
Ryan Ranc, Life and Arts General Reporter
• August 24, 2022
‘Glorious’ features Lovecraftian being in bathroom halting the destruction of Earth
Ryan Ranc, Senior Life & Arts Film Columnist
• August 22, 2022
‘What Josiah Saw’ showcases effects of trauma in gut-wrenching gothic horror film
Ryan Ranc, Life and Arts Reporter
• August 11, 2022
‘Prey’ stalks its way onto Hulu, revitalizing ‘Predator’ franchise
Ryan Ranc, Life and Arts Reporter
• August 11, 2022
‘Luck’ tugs at audience heartstrings but suffers from convoluted plot
Ryan Ranc, Life & Arts Reporter
• August 7, 2022
‘DC League of Super-Pets’ satiates DC hunger despite average structure
Ryan Ranc, Life & Arts Reporter
• August 1, 2022
‘Vengeance’ tackles modern relationships, technology in this dark comedy
Ryan Ranc, Life and Arts Reporter
• July 28, 2022
‘The Gray Man’ is uninspired, yet beautiful
Ryan Ranc, Life and Arts Reporter
• July 28, 2022
‘Stranger Things 4 Volume 2’ exceeds expectations, solidifies ‘Stranger Things’ as a series to remember
Ryan Ranc, Life & Arts Reporter
• July 2, 2022
Who will die? – The Texan predicts Stranger Things 4 Volume 2
Ryan Ranc, Life & Arts Reporter
• June 30, 2022
‘A New Old Play’ tugs at heartstrings and engages with what it means to be human
Ryan Ranc, Life & Arts Reporter
• June 29, 2022
UT-Austin alum dives into cinematography of The Upside Down
Ryan Ranc, Life & Arts Reporter
• June 29, 2022
New ‘Minions’ movie will make audiences laugh with minion mayhem
Ryan Ranc, Life & Arts Reporter
• June 28, 2022
‘The Black Phone’ Terrifies with Creepy Villain
Ryan Ranc, Life & Arts Reporter
• June 23, 2022
UT-Austin alum lands among stars with her work in ‘Lightyear’
Ryan Ranc, Life & Arts Reporter
• June 16, 2022
Austin Butler shines as he brings The King of Rock ’n’ Roll to big screen in ‘Elvis’
Ryan Ranc, Life and Arts Reporter
• June 15, 2022
‘Lightyear’: To mediocrity and beyond
Ryan Ranc, Life & Arts Reporter
• June 14, 2022
‘Ms. Marvel’ takes on new style compared to its predecessors
Ryan Ranc, Life & Arts Reporter
• June 9, 2022
Director Brea Grant Addresses the Theme Found Within Torn Hearts Long: Director Brea Grant details the making of her film Torn Hearts, gives advice to those looking to follow her path
Ryan Ranc, Life and Arts General Reporter
• June 9, 2022
‘Jurassic World Dominion’ marks extinction for beloved franchise
Ryan Ranc, Life & Arts Reporter
• June 8, 2022
‘Crimes of the Future’ marks return of Cronenberg’s body horror brilliance
Ryan Ranc, Life & Arts Reporter
• June 5, 2022
‘After Blue’ presents world of psychedelic visuals, imaginative plot
Ryan Ranc, Life & Arts Reporter
• June 3, 2022
‘Obi-Wan Kenobi’ stuns prequel fans with respect to ‘Star Wars’ source material
Ryan Ranc, Life & Arts Reporter
• June 3, 2022
[Video] Director Brea Grant addresses theme found within ‘Torn Hearts’
Ryan Ranc, Life & Arts Reporter
• May 30, 2022
Gaspar Noé’s ‘Lux Æterna’ addresses exploitation and inequality in filmmaking industry
Ryan Ranc, Life & Arts Reporter
• May 21, 2022
‘Torn Hearts’ tears into country music space with director Brea Grant at helm
Ryan Ranc, Life & Arts Reporter
• May 21, 2022
‘Choose or Die’ is Netflix’s digital dive into the world of technological horror
Ryan Ranc, Life & Arts Reporter
• May 5, 2022
‘The Unbearable Weight of Massive Talent’: love letter to Nicolas Cage … starring Nicolas Cage
Ryan Ranc, Life & Arts Reporter
• April 21, 2022
‘Father Stu’ does injustice to real hero
Ryan Ranc, Life & Arts Reporter
• April 13, 2022
Marvel’s ‘Moon Knight’ ventures to darker side of MCU
Ryan Ranc, Life & Arts Reporter
• April 4, 2022
‘Morbius:’ So bat it’s good
Ryan Ranc, Life & Arts Reporter
• March 31, 2022
Halo’s mediocre premiere leaves the show infinitely reaching for success
Ryan Ranc, Life & Arts General Reporter
• March 29, 2022
‘Everything Everywhere All at Once’ tackles multiverse in mind-bending, heartfelt masterpiece
Ryan Ranc, Life & Arts Reporter
• March 27, 2022
Interview with Drew Waters about his experience acting in new Western movie ‘The Desperate Riders’
Ryan Ranc, Life and Arts general reporter
• February 25, 2022
The Foo Fighters take on supernatural in rockin’ horror comedy ‘Studio 666’
Ryan Ranc, Life & Arts Reporter
• February 24, 2022
‘Uncharted’ ventures into the box office, but will it find its treasure?
Ryan Ranc, Life and Arts reporter
• February 18, 2022
‘Peacemaker’ thrills with explosive visuals, raunchy comedy from James Gunn
Ryan Ranc, Life & Arts Reporter
• February 9, 2022
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